Key Points

• Festival Players staged a production of Come From Away at the ADC Theatre in Cambridge in June 2026.
• Performances ran across several dates in early to mid June 2026, with evening and matinee slots listed on the ADC Theatre schedule.
• The musical Come From Away, with book and lyrics by Irene Sankoff and David Hein and music by the same team, tells the true story of aircraft diverted to Gander, Newfoundland after 11 September 2001 and the community’s response.
• Festival Players Cambridge promoted the production through social channels and ticketing listings tied to ADC Theatre dates.
• This staging is one of several UK and international productions or tours bringing Come From Away to regional theatres since the show’s wider UK tour and earlier runs.

Cambridge (Cambridge Tribune) June 10, 2026 – The community company Festival Players presented Come From Away at the ADC Theatre in Cambridge as part of a short run of scheduled performances in early to mid June 2026, with evening performances and a weekend matinee listed on the ADC schedule.

In an intimate student-town venue, Festival Players mounted a staged presentation of Come From Away —the folk-inflected musical by Irene Sankoff and David Hein across a series of performances at the ADC Theatre in Cambridge in June 2026.

Why did Festival Players choose Come From Away for this run?

As reported by Festival Players’ promotional material and ADC listings, the company selected Come From Away for its community-focused themes of hospitality and human connection, which align with amateur and student ensembles’ interest in emotionally resonant, ensemble-driven musicals. The show’s compact cast and flexible staging make it suitable for smaller venues such as the ADC Theatre, enabling a powerful storytelling experience within a modest performance space.

Who were the creative forces behind this staging of Come From Away?

Come From Away’s book, music and lyrics are by Irene Sankoff and David Hein, the creators of the original musical; the piece continues to be produced worldwide under licence to regional and touring companies, including Festival Players’ Cambridge staging. The ADC Theatre’s event listing names the production and dates but does not specify full creative credits on the public schedule; Festival Players’ own publicity and social posts confirm the company’s role as producer for the Cambridge run.

How did the ADC schedule and Festival Players promote the shows and sell tickets?

ADC Theatre’s online listings displayed multiple performance dates in June 2026, with evening starts around 7:45pm and a weekend matinee, following the theatre’s standard box-office timetable. Festival Players used social platforms to publicise the cast and performance dates and to encourage ticket sales, consistent with community theatre practice for regional productions.

What are audiences and reviewers saying about Festival Players’ production?

Public-facing ticket pages and social posts indicate a local appetite for the production, with Festival Players encouraging attendance and sharing rehearsal and cast content online. Broader critical discussion of Come From Away across the UK including its touring history and prior reviews has noted the show’s emotional immediacy and the challenge and reward of fast-paced ensemble performance, a context relevant to assessing Festival Players’ staging.

Which other productions or tours contextualise this Cambridge staging?

Come From Away has toured extensively in the UK and internationally since its commercial success, with casting announcements and regional tours beginning in earlier seasons and continuing to reach provincial theatres and community companies. That touring history helps explain why amateur and local companies have mounted the show in 2026: its themes, adaptable orchestration and strong ensemble writing make it attractive for non-professional and small-scale professional contexts.

What was the performance schedule at ADC for Come From Away?

ADC Theatre’s listings for Come From Away show performances across early June 2026, with evening slots commonly set for 7:45pm and a Saturday matinee, reflecting the venue’s normal programming pattern for musicals and plays. Festival Players’ social promotion reinforced those dates and encouraged bookings via the ADC box office.

Production details and creative lineage

Come From Away originated with Irene Sankoff and David Hein, whose folk-inspired score and ensemble-led book tell the true story of the 38 planes diverted to Gander, Newfoundland in the aftermath of 11 September 2001 and the ensuing acts of community kindness. The musical’s design — small cast playing multiple roles, economical stagecraft and emphasis on storytelling and music — is well-suited to theatres like the ADC and to community companies such as Festival Players.

How does this staging fit into broader theatre activity in Cambridge?

Cambridge’s ADC Theatre has a long tradition of hosting student and community companies alongside visiting professional shows, providing a platform for local ensembles to present contemporary musicals to university and city audiences. Festival Players Cambridge is part of that ecosystem, bringing a high-profile, topical musical to local theatre-goers and students during a short run.

Where can readers find tickets or information?

ADC Theatre’s website lists the Come From Away performances and ticketing information for the June 2026 run, including start times and venue address on Park Street, Cambridge. Festival Players also shared ticketing links and promotional posts through their social channels, directing interested audiences to ADC’s booking system.

Background of the particular development

Come From Away was created by Irene Sankoff and David Hein and first premiered in workshop and regional contexts before achieving wider critical and commercial success on Broadway and the West End; its narrative centres on the community of Gander, Newfoundland welcoming thousands of diverted air passengers after 11 September 2001. Since its international recognition, the show has been licensed for tours and regional productions across the UK and internationally, enabling community and amateur companies to present their own stagings in venues ranging from large theatres to smaller campus and townhouses. ADC Theatre’s programming of Come From Away in June 2026 reflects both the continuing appetite for the musical and the practical fit of the show for modestly scaled venues and ensemble companies.

Prediction: How this development can affect local audiences and theatre makers

Local audiences in Cambridge can expect increased access to contemporary, emotionally direct musical theatre as companies like Festival Players mount professionally minded productions in accessible venues; this can broaden the community’s exposure to recent, award-winning works and encourage wider participation in live performance. For theatre makers and student performers, successful local stagings of Come From Away can provide practical experience with ensemble storytelling, multi-role acting and folk-based music, helping performers build skills useful for both amateur and professional pathways; continued licensing and touring of the show make further local productions likely in the coming seasons.